Artist Review: Katie Veltri – “Catch Me” Single

Review by: Justyn Brodsky

Bringing acoustic grooves and rhythmic Blues to the forefront with sensual vocal techniques that speak to the soul, recording artist Katie Veltri encompasses new ambient territory with her newest single “Catch Me”.

“Catch Me” is definitely catchy. It’s a timeless track with jazzy guitar chord progressions that really facilitate the anthemic vocal melodies to make each measure really count. Katie‘s voice is tender, natural, and really puts emphasis on how she projects every line of her clever lyrics this song has to offer as the track plays out. The guitars also have a spiciness and aura that brings a true uniqueness to the modern rhythm this song blends in. It shares a classic feel while still embracing a modern take on today’s more versatile pop-infused genres.

Put simply, this song is very hard to dislike. It has very powerful vocals that shine bright in the forefront. Katie‘s voice not only has an impressive range, but also projects a multifaceted nature as well that really showcases her talent very effectively. “Catch Me”, accompanied by a lyric video, is a song that shares equal parts originality and familiarity – it has that classic signature sound that you’ve come to know and love throughout many years, as well as today’s more notable mainstream edge that resonates with more modern music styles. Katie Veltri will definitely reel you in with “Catch Me”.

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Artist Review: Bruja – “False Prophets” Album/EP

Review by: Justyn W. Brodsky

If you’re the type of music fanatic that digs contagiously catchy Rock-infused Blues with a plethora of grooves, then Bruja is the band for you. The Delray Beach, Florida-based quartet of solid musicians has been making some major noise in their scene since their formation with their solid signature sound and energetic live shows. And with the release of their six-track record “False Prophets”, which dropped November 1st in 2019, Bruja has raised the bar even higher not just for themselves, but for their scene as well.

From crunchy guitar swells, ambient keyboard textures, a dangerously groovy and punchy rhythm section all topped off with anthemic vocal melodies and top-of-the-line production value, “False Prophets” is a stroke of true genius. Bruja comes together nicely to bring a collection of solid grooves to the forefront of each track very effectively, but it’s also a record that showcases each member of the machine and the impact their individual musicianship brings to the table. With a strong start to the record with the song “Coming Down”, their elements of high energy are diligently in the mix with a great structure throughout the song’s duration. This song in particular has one of the strongest choruses the album offers and never drags out in any way. The dueling crunchy guitars with crybaby-wawa touches puts an atmosphere into Bruja‘s sound that is very visceral and versatile; making this track a more than solid opener.

One factor this album boasts is its ability to remain consistent while also giving each track a different approach to the overall execution. Every instrument/element stands out on this album on its own and would not be nearly as effective if one member were to be taken out of the equation; giving Bruja a chemistry that is perfectly mixed and meshed together. With hints of reggae in the mix, this band’s charismatic sound is not only cleverly executed, but also quenches your insatiable thirst to indulge in something with equal parts originality and familiarity; a modern take on yesterday’s iconic sound that has something for everyone. With album title track “False Prophets” and the instrumental “Check The Groove”, you can clearly hear the diversity this record offers and the clever song structuring in the songwriting process that Bruja brings forth as a unit. The album closer “Roots” is also a crucial standout in its own right with a blend of elements from every track that came before it; which ties it all together into one tastefully catchy record with all the Rock and Blues sweetness you could crave with more than enough groove to go around.

‘False Prophets‘ is a record with staying power, where you can keep coming back to these songs time and time again and love it every time. It sets the bar high for what Bruja has in store for their future releases. Regardless, you’ll be keeping up with them to see just how far they’ll go. And you’ll be glad you did.

Listen to ‘False Prophets’:

•Spotify: https://open.spotify.com/album/4yxisJ39W5hieRgU8A06Bf?si=6qQLMtp0RPGTuHCDYF1Nug

Connect with Bruja:

•Official Website: https://www.brujaband.com

•Facebook: https://www.facebook.com/brujabluesrock

•Instagram: https://www.instagram.com/brujaband

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: The Jive Aces – “Diggin’ The Roots Volume 1 & 2” LPs

Review by: Justyn Brodsky

Don’t just go back to your roots – dig them!

We’ve heard a lot of today’s takes on classic songs from many new age contemporary artists, as well as tribute bands and cover artists putting their own spin on yesterday’s hits from many calibers of genres with a fresh additive or two. Some do it well, some fall flat, and then there’s the few and far between gem that comes out swinging with the charms of both yesterday’s and today’s most influential eras wrapped up into one super tight package. That, my friends, is The Jive Aces.

This UK-based band are definitely not a bunch of randies by any means. Renowned worldwide for their high-energy spectacular showmanship, this elite group has garnered an enormous following from a combination of acclaims including their viral video for the track “Bring Me Sunshine” and for also being the first live band to reach the final rounds of “Britain’s Got Talent”. Since then, The Jive Aces have firmly established themselves as the UK’s No.1 Jive & Swing band, and show no indication of slowing down their momentum anytime soon.

So with a résumé like that, you know there has to be something of theirs worth putting on your playlist. And their 2-Volume LPs Diggin’ The Roots are shining examples of their tightly knit signature sound of songs we’ve all come to know and love over many, many years. Boasting into today’s production value while maintaining that old school influential charm, we get a more than solid performance on both records comprised of eclectically professional musicians that absolutely own their roles on every track to deliver a sound that not only resonates with the classic each song became long ago, but with a whole new realm of energy and technique that gets us to appreciate them all over again in a whole new way, in a whole new era.

Diggin’ The Roots is exactly as advertised. They are tracks that have brought on endless inspiration and appreciation among a majority of today’s prominent artists and are the roots to their stories. On The Jive Aces Volume 1 record, RockinRhythm & Blues, we get a tastefully blended album of 13 tracks with many flavorful additives. Classic tunes on Volume 1 include smash hits “Jump, Jive & Wail”, “Feelin’ Happy”, “I Want You To Be My Baby”, and many others of the same caliber. Led by lead vocalist Ian Clarkson, who also takes up roles on trumpet and ukulele, his clean and vibrant voice in the forefront of every song really solidifies the band’s approach. The right rhythm section really paves the way for the rest of the band, and really puts the proper backing behind Clarkson’s effective vocal takes and melody placements. With hot piano leads, an anthemic brass section and funky fiddles added to the mix, this fresh look at some of our favorite Rockin’ Rhythm & Blues tracks will definitely get you up off of your feet and own the dance floor.

On their Volume 2 record, Hot Jazz, we get the same Jive Aces vibe with their tight grasp on 13 more classic tunes that combine equal parts originality and familiarity, just like Volume 1. Staying true to form like the previous chapter of this 2-part release, we get an instrumentally versatile execution of fan favorites from the classic Jazz era that includes “Jeepers Creepers”, “On The Sunny Side Of The Street” and “It’s Been A Long, Long Time“. Both of these records absolutely compliment each other and bring a brand new timeless edge to every perfected measure. The showmanship factors are undeniable and one thing that screams from these releases are the words “INCREDIBLE LIVE SHOW”. Diggin’ The Roots really brings out each member’s musicianship abilities and when put together, collectively bring out a stick dynamite just ready to go off at every event they play. And their devoted fan base and successful career milestones reflect that. But one of the most notable things about The Jive Aces is their authenticity – there is no wacky autotune, no oversaturated production techniques, and absolutely no cheat methods whatsoever being used. This band can produce live exactly what they do in the studio, which is a rare thing in today’s digital age of music.

The Jive Aces are the breath of fresh air you’ve been needing for a long time. They are a standout of their caliber, and once you take a listen to both volumes of Diggin’ The Roots, you’ll see and hear exactly why they are the UK’s number 1 Jive & Swing band.

Connect with The Jive Aces:

•Link to Volume 1: http://jiveaces.com/album/518834/diggin-the-roots-vol-1-rockin-rhythm-blues

•Link to Volume 2: http://jiveaces.com/album/518835/diggin-the-roots-vol-2-hot-jazz

•Official Website: http://www.jiveaces.com

Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Jonah Melvon – “RainWater Project” LP

Review by: Justyn W. Brodsky

Some music knows exactly how to touch the soul. With ambient vocal melodies, passionate rhythms and multifaceted male/female hooks, Jonah Melvon delivers up an innovative and soulful R&B album of anthems with that classic sound with brilliant textures of Jazz, Hip Hop and everything in between with every track on his newest LP RainWater Project.

Delving into a spectrum of a glistening R&B signature sound that perfectly resonates from the classics we’ve all come to know and love combined with today’s modern sensibility, RainWater Project is a triumphant album of tracks that really offer up an artist’s true passion in both performance value, as well as the strong messages in the content. This record awakens the entrepreneur spirit within all of us with his song “1099 (Mom And Pops)” from the album. A piano-infused, bluesy laid back tune that really nurtures the Soul from both Jonah‘s vocals, as well as the female feature artist. The song’s bossa-nova and rhythmic tempo really carries the mood of the track with each verse standing its own ground with the narratives and melodies paralleling each other perfectly. Then landing us into a chorus that’ll have you singing this one in your head well after it’s over.

The album also plants the spotlight on areas like gentrification, and an inhuman presidency crafted from his anthemic track “What’s Good for You“. A song that is powerful in its delivery and versatile in its overall edge. This track, with just as much swagger, puts another modern bluesy touch on this finely tuned single that brings out a brilliant execution from all angles. The message is powerful and the Hip Hop-additive makes this track very effective and gives it the perfect touches. It’s a song that really explores the true core of Jonah‘s talent and vocal approach. From songwriting technique to the song’s nostalgic pacing, this song will definitely win you over and will have you exploring the rest of this album more closely.

The biggest standout about RainWater Project is the authenticity and originality. A dynamic blend of tracks that mix the best of yesterday’s R&B approach and today’s innovative production value in all the right places. That, along with the multi-genre additives and several tasty flavors from each track will make this album one of your favorite Soul/R&B records you’ve heard this year so far. It’s an album with staying power, the power to stay with you well after it’s over. It’s also the type of record that will have you diving further into Jonah Melvon‘s catalogue as well as future prospects. RainWater Project is gonna give him a very promising year, and if this review is what lead you to his discovery, you’ll be thanking us later.

Connect with: Jonah Melvon:

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Artist Review: No-EL Dacosta – “The Soul Man From The Endz” LP

FrReview by: Justyn W. Brodsky & Bethany A. Stephenson

A truly modern triumph, and a realm of R&B the way it was meant to be is what No-EL Dacosta‘s The Soul Man From The Endz stands up to be, and represents as a whole. An album of tunes that are soulful, versatile, multifaceted, and a realistic caressing of the heart of real R&B music.

But Dacosta‘s album is a lot more than that. This collection of uplifting anthems have additives of Blues, Bossa Nova, Jazz, Jams, Hip Hop and everything in between. From swinging mid-ranged vocal tracks to clear and concise production value, these songs share all kinds of moods. There are blissful feature artists that bring in soothing vocal textures, beautifully crafted guitar and piano compositions. Best of all, each song breathes its own life into each song. You never hear the same thing twice and every track has a new set of features that conjures these songs more into anthems, rather than just songs on an album.

No-EL‘s album is a masterpiece of R&B in its own right, and rightly so. His vocal approach is perfect for the genre and has really put a modern edge to every song on this album. You’ll absolutely love it, and puts R&B into a new modern world that gives it a whole new sound for generations to come.

Connect with No-EL:

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Press Release: Carolee Rainey Releases Her New Single “Sacrifice”

Article by: Justyn W. Brodsky

We at Artist Reach have a great suggestion. Stop doing what you’re doing and go listen to Carolee Rainey’s new single, ‘Sacrifice.’ 

This may sound strange, but the first time we heard  ‘Sacrifice’, we felt like she may have been talking right to us. But Wait. Hold that thought. On the second listen, we’re certain she may be talking not only to us but through us. She has literally brought me back to a time in our lives before real responsibility kicked in…when life was carefree and wild.  Oh yeah. Its funny. A dear friend of ours who has met Rainey said she got the idea to write ‘Sacrifice’ after reading an article about a manager that worked closely with Stevie Nicks in her early career and mentions in the interview how much he enjoyed working with Stevie, but it had been a long time since they had been in touch and how wonderful it would be to just randomly run into her again somewhere. 

This was the very article that inspired Rainey’s ‘Sacrifice.’ This is Rainey’s third single out on her new label ‘Sapphire.’  The other two singles, ‘Deeper Than The Ocean’ and ‘You Matter’ invoked the beginning sparks of a brilliant new songwriter artist on the horizon.  We’re talking superstars like Tracy Chapman, Tori Amos, Lana del Rey, and Ed Sheeran. 

Add Carolee Rainey to the list. ‘Sapphire’ is proud to have Carolee on the label and is thrilled to promote a platform in which this unusual and soulful artist can now be heard by the world. Get ready.

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Artist Review: (dIG) dEM iSBY gIRLS – “School Days”

Review by: Justyn Brodsky

Glistening vocals, ambient beat structures, and a futuristic hypnotic vibe that combines the best of yesterday’s and today’s R&B is what makes dEM iSBY gIRLS (aka dIG) a gem within their own right with their freshest single “School Days”.

The voices are subtle, magnetic, and brings you to a realm of a laid-back feel that really encompasses a sound that is very visceral, ethereal, and multifaceted. Their versatile approach in “School Days” is not your every day track; it resonates with a style that touches on originality and familiarity, giving their audience a taste of something new yet still identifiable. The vocal personas also touch on different factors, landscapes, and really give each vocal component a life of its own, which is what makes dIG a group that lives up to their name. You will dig them, and really find your listener’s niche with their hypnotic style of singing.

Another part of this song is the likability factors – the sing doesn’t carry on too long, has great runtime in its duration, and is a track you can come back to time and time again. It has that staying power – the power to really stay with you even after the song is over. Regardless, you will find unconditional love for this song; and keep you in anticipation of what dIG comes out with next. They won’t disappoint.

Connect with dIG:

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