Exclusive Artist Review: Grafting The Vine – “Golden Gate” Album

The passion behind Grafting The Vine’s creative mind comes from a place of past adversity, trauma and a journey of tragedy to triumph. And this album proves that it’s also a place where some of the best art is created. After amassing critical acclaim from the artist’s debut effort, Grafting The Vine comes out swinging from every artistic direction on sophomore album ‘Golden Gate’, an 8-track juggernaut of instrumental anthems comprised of raw energy and emotions encompassing an authentically passionate signature sound.

Utilizing a progressive and heavy stylization that diligently combines crucial elements from several influential Rock eras, Grafting The Vine encapsulates an ambient and atmospheric aura that is effective and visceral – bringing together a dynamically unique sound that stands out from other artists of a similar calibre. Opening track “Otis Burning” serves up a clear and cohesive demonstration of this progressive style and truly introduces a crafty structure that sets the tone for the rest of the album’s duration. The track “Ushauri” is more rhythmic and in-your-face with distinctive low-end guitar progressions with hauntingly ominous leads. This track has a pounding rhythm section with intricately placed drum fills that cruise each measure into a dynamically transitional structure. The multi layered and multifaceted guitar parts are clear, concise and pay precise attention to detail in the overall execution.

“Alpha Romeo” is very symphonic and anthemic, delivering a wholesomely full sound that brings each distinctive measure to the forefront to shine a bright light on the artistic merit of this song. It’s like a deep and dark painting without leaving out any colors, even if there is an absence of brighter ones. Closing track “Dream Collective” ties the album together with a progressive presence that showcases the songwriting structures throughout each track. Overall, this diligently crafted prog-metal record acknowledges the essence of emotional creativity that is made apparent in every song. It emanates with raw passion and balances energy with subtlety in a way that is rarely heard in today’s modern music realm. While ‘Golden Gate’ has an anthemic and futuristic approach, you can still hear several clever elements from many previous Rock eras.

This album is a must-hear for anyone that wants to dive deep into musicianship factors and dynamically executed production value. It just released on May 1st and is available now on iTunes, Spotify, Apple Music, BandCamp and several other digital music streaming platforms. You’ll be more than glad you gave it a listen – it’ll easily become one of your favorites for 2021.


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Exclusive Artist Review: Lorenzo Carulli – “Present Past” Album/EP

Italian Pianist and Composer Lorenzo Carulli began his journey into the music world during his younger years and quickly began hitting the ground running with both his writing and performance abilities. Over the years, his original compositions have successfully garnered him a vast array of achievements including scholarships and awards from national and international music contests like Fondazione Estro Musicale, FM Contest, and Call for Concert Musicopaideia. Now, with the recent release of his debut album ‘Present Past’ on April 16th, Carulli’s signature writing/playing style comes to the forefront in 8 anthemic and dynamic tracks that diligently showcase his versatile realm of musicianship factors, production value and artistic merit.

‘Present Past’ is a dynamically crafty album with melodically visceral piano compositions that are atmospheric, versatile and multifaceted. Throughout the album’s duration, Carulli brilliantly parallels both performance and production value in a way that showcases his skill set as a solo artist most effectively. It explores several angles of his artistic merit and truly brings his signature sound to the surface in a way that balances originality and familiarity; encapsulating melodic measures and rhythmic tempos throughout all 8 tracks and offering several tasteful elements as they all play out.

This debut record is beyond impressive and will undoubtedly build anticipation for any listener wondering what Lorenzo Carulli will have up his sleeve with subsequent releases. It’s a strong and solid first impression that will caress the eardrums of any musician with a music theory background, as well as fans of piano-oriented compositions altogether. ‘Present Past’ is a triumphant album that fully deserves your undivided attention. It officially released on April 16th and is currently available on Spotify and several other digital music streaming platforms.


Connect/Listen:

•Official Website: https://www.lorenzocarulli.com
•Instagram: https://www.instagram.com/lozcarulli
•Facebook: https://www.facebook.com/lozcarulli
•YouTube: https://www.youtube.com/c/lorenzocarulli
•Twitter: https://twitter.com/lozcarulli
•Spotify: https://open.spotify.com/album/3s9uwG3wdpLbzlOaNaTFVR?si=7asXd50HQfG4juy9IdmB9g&nd=1

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Exclusive Artist Review: Elektragaaz – “The Synaesthetic Picture Show Now Playing Part 1” EP

Very few artists have achieved the technical uniqueness of Elektragaaz. Comprised of Netherlands-based electronic composer/songwriter Poppo Redband (or just Redband for short) and a slew of guests/contributors, Elektragaaz‘s dynamic and versatile signature sound began laying down its foundation in 2017 and began hitting the ground running since its inception. Even though there is a big level of mystery surrounding primary project leader Redband, Elektragaaz‘s atmospheric textures are laid down diligently in epic proportions on their debut EP “The Synaesthetic Picture Show Now Playing Part 1”.

This six-track juggernaut is likely unlike anything you’ve ever heard when it comes to style and composure. Blasting into an upbeat tempo with opening track “Cabin Fever”, this record immediately launches into an atmospheric assault that balances style and execution. The attentiveness to detail is very apparent from the start and continues through the track’s duration with a vast array of instrumental choices and melodic measures. This opener is highly effective and really delves deeply into the musicianship factors that Elektragaaz shows no shortage of. Another highlight of this album is the song “She Walks It Like She Talks It” which also incorporates dynamic tempos but brings the levels of uniqueness in a slightly different effective direction. But one song that has an anthemic quality is closing track “Dancin’ With The Queen of Hearts” which stylistically is more ballad-like but maintains a type of intricacy that focuses more on the distinction of energy as opposed to the more in-your-face technical touches this EP has plenty of. This track is definitely a standout of its calibre and further encapsulates the distinct uniqueness that is heard throughout the runtime of this EP and really showcases the artistic merit of this project in several angles.

This EP is also a record that has staying power – the power to stay with you even long after it’s over, and will undoubtedly entice you to dive deeper into the Elektragaaz discography and career altogether. This EP is available now on iTunes, Apple Music, Spotify and several other digital music streaming platforms. This is a record you need to hear to believe.


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