Artist Review: Chuck W – “Get Your Shit Together!” LP

Review by: Justyn W. Brodsky

With an exercise in innovation, experimentation and musical stimulation, Long Island’s Chuck W brings forth 4 years of in-depth puzzle pieces in every track of the frenetic, lo-fi synth-travel signature sound of his Get Your Shit Together! LP. An album that not only grabs you with persistent musicality, but imagery as well.

This instrumental album is comprised with a vast array of musical elements that range from clever looping samples, atmospheric textures, groovy tempos and jazz-infused outbursts that top off with a theatrical and at-times industrial edge. The track “Monoarm” is a grungy and multifaceted set of layers that sends us on an audio and visual journey. The ambient mood that underlies in this frantic track really demonstrates Chuck‘s dynamic behind the mixing board, as well as his songwriting structure that touches on many tangible elements that gives this song the push that it needs to enter your brainwaves. It’ll stick with you in a way you can’t really explain, but it’ll easily have you enticed to explore the rest of this album with your antennas for detail up. The rhythmic groove on this song is not only notable, but downright necessary. There are no blanks to fill on this track – Chuck covers all bases on “Monoarm” and really delves into detail that gives him undeniable versatility.

Veering over to the soundtrack-worthy “Jazz For A Rainy Day”, this creepy track lends an arm to a more theatrical take on Chuck‘s signature touch. This one gives you visuals and it really dives deep into the clever songwriting structures that is made apparent throughout the album. This keyboard-driven track really adds a fascinating parallel to the other songs on the album and really adds more concept to this multilayered musical journey.

Get Your Shit Together! is a nostalgic landscape of audio imagery that is immediately gratifying to the experimental sides of our brains. It has a wit and charm that speaks solely through instruments, structure and textures. Once you give this a listen, you won’t quite be the same again. But you’ll keep coming back to this album to go through each measure of detail, trying to capture every puzzle piece of the in-depth structure that Chuck W conjures throughout this album’s duration. You can’t go wrong with this album – there’s nothing else like it.

Connect with Chuck W:

Listen to “Monoarm”:

Listen to “Jazz For A Rainy Day”:

Social Media:

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Leaving Zero – “Get Your Body Moving” & “Coming Back For More” Singles

Review by: Justyn Brodsky & Bethany Stephenson

Some bands know how to grab you by the ears from the very first listen. They say first impressions are the most crucial ones, and can make or break a career when attempting to launch. In this case we have Memphis-based Hard Rock quintet, Leaving Zero, who immediately has hit the ground running.

For a band just starting out with their first two singles, these guys are an absolute mind blow. Their first single, “Get Your Body Moving”, does complete justice to the song title. It’s a heavy concoction of frantic guitar progressions, fierce tones, a heavyweight rhythm section, and a masterful vocal approach that steers the track into mid-to-high range ferocity. Drawing reminiscence to influential rock bands like Shinedown, 3 Doors Down and Stone Sour, Leaving Zero combines many versatile elements that deliver up a signature sound that is recognizable and original in their own right. Chris Autry’s vocals are authentic, full of attitude, and really delves into the band’s overall artistic merit as the cog of the machine. With a dangerously catchy chorus at the centerfold of the song, “Get Your Body Moving” does exactly what it advertises.

Moving on to their subsequent single, “Coming Back For More”, we get the same punch and precision as the predecessor, but this time with a more driving tempo and upbeat key signature. This one has a little more adrenaline but sustains the same amount of charm as the first single. Focusing more on the technical skill set of the drums and guitar work at the helm, this tightly fit track is comfortable like a leather glove and never lets up on the insatiable energy. Autry comes out swinging once again with more tasty vocal melodies that soar through each verse and reach a climactic feat by the time the chorus shows up. It’s a perfect follow-up to the last track and continues to showcase the band’s signature sound and each member’s influence on the overall execution of each song.

One of the most notable factors of these singles is the high quality production value. For a band honing their craft with a prominent hard rock sound in this modern era, the pre and post production is beyond the norm and exceeds expectations for a band just starting out. It sets the bar high for the band, and they are more than ready to reach those heights very few bands in this era really do. Both of these songs have mainstream potential and Leaving Zero is definitely a band I can see labels taking an interest in.

I’ve been in many bands for the last 23 years, and this is the type of group I’d love to write/jam/perform with. And trust me…I’m picky. Leaving Zero is just starting out, but not without a bang. Fans of this band will be impatiently waiting for a full length album, just like we are. You won’t regret giving these guys a listen.

Connect with Leaving Zero:

© Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Static RYan – “NOSHO” Single

Review by: Justyn W. Brodsky

With a conjuring of ambience, versatility, and an insatiably raw sound that combines today’s indie Trap Rap sensibilities and rock elements from the iconic 90s era, UK-based solo artist Static RYan proves that his latest single “NOSHO” is innovative, clever, and anything but ordinary.

With fans describing his signature sound as a “low-fi Nirvana” kind of approach, SR brings forth a classic yet futuristic style that touches on equal parts originality and familiarity, giving his audience a taste of something fresh yet still identifiable in its own right. From atmospheric guitar tones, ominous digital additives and hauntingly visceral vocal structures, this song’s chemistry is hypnotically mysterious as it is cleverly innovative. It’s a diligent approach of a Hip Hop flow with grungy Rock flavors that leave room for different lyrical pathways and really shows an array of different angles of SR‘s talent.

“NOSHO” is a very consistent track, and very relevant as well. It’s appeasing enough to the underground scene, but could still easily win over the fundamentals of today’s mainstream market. The track officially releases today and will be available on several digital music retailers and streaming platforms. You won’t regret picking up a copy of this track, and it’ll definitely entice you to look deeper into Static RYan‘s discography, as well as future prospects. He’s the type of artist to keep watching for, to see what next move he makes, and where it takes him.

Connect with Static RYan:

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Press Release: Georgia-based Rising Artist Ajxni Gears Up To Release His New Album “Damaged Soul” In Early 2019

Article by: Justyn W. Brodsky

There are a very scarce amount of artists in this era that really capture their own hybrid signature sound. Georgia-based recording artist Ajxni is one of those rare gems, and is pulling out all the stops with his versatile multi-genre style with the highly anticipated release of his album Damaged Soul.

Combining a brilliantly multifaceted mix of Rock, Hip Hop, Grunge and Trap, Ajxni‘s craft is anything but ordinary. This is an artist that has put together a visceral sound that is energetic, climactic and compelling. It’s the type of surprise Linkin Park gave us when they first hit the market, our eyebrows raised to the ceiling. Ajxni‘s music delivers the same feeling – you just can’t believe what you’re hearing, and you are dying to find out more about him.

His anchor singles “WTF Is This?!” and “SelfMade” are highly acclaimed tracks that really give a clear showcasing of what Ajxni is capable of. Each track has a different angle to his artistic merit and leaves no stone unturned. Comprised of hypnotic beats, roaring guitars and a vitally energetic vocal approach to a flavorful Rap sound, these songs are a musical Hurricane when it comes to originality. The songs have a very rhythmic pacing and an array of elements and additives that make these tracks absolute standouts in their own right.

While Ajxni is his own entity of his musical caliber, there are landscapes of familiarity in these tracks as well. From lyrical wordplay, clever punchlines and anthemic buildups, these tracks are an explosion of versatility and authenticity. Ajxni carries the torch with a very nostalgic flow that resonates with the song’s energy. And that’s one of the focal points of these tracks – energy. It is an unwavering passion that screams out in ways that keeps you at the edge of your seat. And even though these tracks have different angles, you can still tell it’s coming from the same artist; and that’s what makes Ajxni‘s music as effective as it really is – you can always recognize his signature sound.

And since the success of these singles as well as other releases from his discography, Ajxni is now geared up to bring his wholesome sound to the forefront with the upcoming release of Damaged Soul, slated to drop in early 2019 and will be available on all digital music retailers and streaming platforms. It’s an album you are gonna be passing around until it goes viral. Keep your eyes peeled. In the meantime, be sure to prepare yourself for the album by connecting with (and listening to) Ajxni as the album release date draws closer.

Connect with Ajxni:

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Artist Review: Fiction Dogs – “Single Sunday” LP

Review by: Justyn Brodsky

Roaring guitar riffs, a pounding rhythm section and gritty, catchy vocal melodies make for a tasty concoction with power trio Fiction Dogs‘ newest album Single Sunday. A 6-track record of anthemic tunes with a very versatile signature sound and unwavering musicianship factors that keep you on the edge of your seat.

With the start of their opening number “Let’s Pretend”, the band comes out swinging with high-gain guitar progressions and unrelenting energy that will easily blow the roof off every house in your neighborhood. This is a track where if Black Sabbath started a 90s punk band, this would likely be the result. And it doesn’t disappoint. What’s great about this record (and band) is the authentic production value. There are no tricks, no post production theatrics, no auto-tune. These dudes keep it real by plugging in, playing, and relying on actual good songwriting to carry the weight for them. A rarity among today’s music realm.

Another component that makes this album a gem is the band’s multifaceted take on Rock music. They have a signature style, but showcase many different angles of their craft. Tracks like “Two Times Today” and “Like God” really delve into the trio’s true core, and prove that quality songwriting structures and vocal melody choices are high on their priority list; and that their versatile take on Rock-infused music can come in different forms. These are charming tunes without the unnecessary noise or diversionary tactics from the actual talent. These guys keep it 100% real.

The best part about this album is the staying power and classic status – it’s a record that has the ability to stay with you even after it’s over, and leaves you with good vibes all around. Kinda like the feeling of reaching the end of the rollercoaster – you just wanna get right back on. It’s an album that has a classic feel, and has songs you can come back to time and time again without skipping over one track. Single Sunday is a stroke of genius for the Rock genre, and brings us a throwback feeling of the 80s, 90s, as well as today’s better Rock sensibilities.

About the album:

The band recently reunited when Terrance McAbee rejoined Michael Williams and Craig Florio back in Florida after a year exploring the west coast. The group never stopped working while Terrance was away, recording most of the new album during a ‘Single Sunday’ when the three connected for an all day, all night session. The new project is a half-album featuring music written by all three members with Craig singing and playing the drums, while Terrance and Mike play guitars and bass. The second half of the album is nearly complete, but growing as the band member/roommates keep writing and falling in love with new songs. It can be easy to hear the Springsteen and Pearl Jam influences; however, the guys will just as often play Van Morrison or Eminem. The entire project was recorded at Maple Studio in Clearwater, Florida with help from Pro Tools, Gibson and Fender. 2019 will be a busy year primarily focused on the west coast of Florida and a growing digital presence. ‘Fun songs about sad stuff’ is the band’s approach, embedding an underlying sense of anguish in the subtext of the lyrics, with uplifting melodies and poetic word play.

“Single Sunday” is currently available on Spotify and other digital music retailers and streaming platforms. If this is the first time discovering Fiction Dogs, then you’ll be thanking us later. You’ll be more than happy you gave this album a listen.

Connect with Fiction Dogs:

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Press Release: Power Trio Tarah Who? Gears Up To Release Their Newest EP “64 Women” On February 22nd, 2019

Article by: Justyn Brodsky

People have been describing Tarah Who? as “If Motörhead was fronted by Alanis Morissette”. The band recalls 1990s alt-rock and grunge’s tradition of balancing integrity with tuneful songcraft. And the energetic trio is very excited to showcase this sound with their upcoming EP “64 Women”, slated for release February 22nd, 2019.

Touching on a grungy rock sound that shares equal parts originality and familiarity, Tarah Who?’s female-fronted versatile style is heavy, melodic and encompasses anthemic song structures and songwriting. Lead by front-girl and band founder, Tarah G. Carpenter, she has teamed up with producer Jason Orme (Alanis Morissette guitarist) to compile a collection of tracks that showcase’s the band’s effective signature sound and boasts some of their best work to date. Comprised of 5 new authentic tunes with big, heavy, fast paced guitars and a driving, punchy rhythm section, “64 Women” puts a fresh hypnotic spin on yesterday’s and today’s iconic rock eras with a vast array of multifaceted elements that are contributed by each band member, and shines through as a whole collectively as a solid chemistry with each track that plays out. Tarah’s vocals are one of the central cornerstones to every song and projects an onslaught of energy and unwavering passion. With lyrical concepts that delve into story-telling methods that widely range from a series of topics, she never fails to grab your undivided attention with her ability to tell a compelling story and keep you on the edge of your seat. The band’s rhythm section, comprised of female-drummer/backup vocalist, Coralie Hervé, along with bassist/backup vocalist, Joey Southern, cruises through the tracks with loud, vicious tempos, dynamic fills, and rhythmic riffs that tie each song together and bring an unwavering presence of heavy energy to the band’s overall style on the EP. It’s a record that will feed the insatiable hunger of their current fan base, and amaze new listeners that discover them for the first time and leave them all hankering for more.

The loud and heavy power trio has been an industry buzz since their inception into the market and really hit the ground running throughout 2018; successfully touring the west coast last April and the east coast in July. Now with their heavily-anticipated new EP being geared up for release, the band has acquired a residency in January 2019 at the Redwood Bar in DTLA to promote the new record and will have an official release party in Los Angeles on February 23rd, 2019. In support of the record, they will be heading out in March 2019 to tour the Southwest. They will also be heading overseas to Europe in June and July 2019 to perform tour dates in France and the UK.

64 Women” officially drops on February 22nd, 2019, and will be available on all digital music retailers and streaming platforms, as well as their live shows. Their first anchor single “Numb Killer” from the EP, will be releasing January 11th, 2019, and will be accompanied with an official music video. Mark your calendars!

Connect with Tarah Who?:

  • Official Website: http://www.tarahwho.com/
  • Facebook: https://www.facebook.com/Tarahwho/
  • Instagram: https://www.instagram.com/tarahwho/?utm_source=ig_embed
  • Twitter:https://twitter.com/TarahWho
  • Spotify: https://open.spotify.com/artist/0Q7WuoNQUT5rfvo83edxNR
  • SoundCloud: https://soundcloud.com/tarahwho
  • Bandcamp: https://tarahwho.bandcamp.com/
  • YouTube: https://www.youtube.com/watch?v=aqh-A49-N88

©️ Artist Reach, LLC | ASCAP | All Rights Reserved

Press Release: Trey Wonder Set To Release His Sophomore Album “The Ghost Of My Father” On November 23rd

Article by: Justyn Brodsky

Grungy, versatile and unwaveringly charismatic with his viscerally multi-genre Indie/Punk approach, Hawaiian island-based artist Trey Wonder is geared up to release his sophomore record The Ghost Of My Father.

If Weezer and Radiohead started a 90s-era punk band, then Trey Wonder would definitely be recruited as their lead singer. And the brilliance of both groundbreaking signature sounds is what The Ghost Of My Father brings to the table. We have a collection of tracks that dynamically blend an edge-of-your-seat Indie sensibility, and several elements of punk, grunge, and an eclectically melodic style that is reminiscent of several rock eras.

Each self written and self produced track is comprised of a clever mixture with musical elements that include melodically versatile vocals, loud and crunchy guitar progressions, a tight knit pounding rhythm section and dangerously catchy choruses. He’s an original in his own right, but still can be heard as recognizable among the drawn influences from some of yesterday’s and today’s rock icons. You never hear the same thing twice, but you can tell it’s the same artist commanding the wheel, and the infectiously catchy overdubs in every chorus will stick with you throughout the record even after it’s over.

On top of this record being a follow up to Trey‘s predecessor Nice Fish, this new album is also an attribute to his father, and is being released on the anniversary to his death on November 23rd. This record is for any avid Indie Rock listener that yearns for the glory days when punk was actually good, and wasn’t afraid to show its melodic side. The Ghost Of My Father will be available on all digital music retailers and streaming platforms on Friday.

Connect with Trey Wonder:

©️ Artist Reach, LLC | ASCAP | All Rights Reserved