We’ve had The Harmalators duo on our platform before, and they have yet to do disappoint. Since that time, the elite Californi-natives have put together another plethora of colorfully eclectic songs with top notch production value and songwriting technique versatility – some which have landed them in award/charting positions. Comprised of eight amazingly blissful textures and structures that melodically soar throughout the musical landscape, the two brothers in The Harmalators have truly hit it out of the park with their 8-track collective, titled ‘Two Great Minds Think Alike‘, an exercise in innovation, thoroughness, blissfulness and so much more that’ll captivate your musical aura and ambience.
Opening track “Love On Fire” really emphasizes their vocal melody approach, all while keeping that indie feel at the forefront with several facets of different instruments playing their respective roles. Each vocalist really helps enhance the other and you can tell that their togetherness and solidification really puts the melody strength into the writing structure in its entirety. It’s a brilliant intro to the album that will easily entice you to listen to the duration of the record in its entirety.
“Where Would I Be Without You” is a much more simple listen but is undeniably a much more basic structure – and that is held to the highest regard. It’s a shorter song, one that is easily to take in as a classic, and could definitely be heard as an intro to one of those 90s sitcoms (a GOOD one, by the way). Another facet of this track is to find it impossible to get it out of your head. From its title track lyrics, addictive melody structure and just overall charming presence with its well-put-together.
Overall, ‘Two Great Minds Think Alike’ insatiably showcase both brothers’ strongest points in both production and performance value in ways that entice any listener to hear what they’ve put together over the years together and solo-wise as well. They’ve put out a small catalogue of their innovative gems in the past foür😝 its time, but this 8-track collection of highly-produces bliss will definitely turn some heads; especially when an album like this is in the band’s arsenal.
“Two Great Minds Think Alike” have also garnered them some award status. Including…
If this is the first time you’ve heard the first time you’ve heard The Harmalators, then it definitely won’t be the last!
NYC-born and bred artist Isabel Marcheselli (formerly known as Isabel Rivera) formed her band in 2005 under the official name Isabel & The Whispers and quickly began manifesting her love for music into a collection of anthemic songs that would become the band’s self titled debut album. Known for her insatiably dynamic craft in several artistic areas including vocals, songwriting and poetry, Isabel has musically crossed a vast array of genres and her eclectic scope of music continues to evolve and defy easy categorization. While she was classically trained, she can easily create music in mass-appealing genres such as Pop, Dance and Indie – utilizing her craft and artistic merit in ways that would ultimately garner the undivided attention of many listeners across the musical landscape.
And in 2008, after a few years of writing and solidifying their signature sound, Isabel & The Whispers would release their self titled debut album comprised of 8 atmospheric and intellectual tracks that would give Mazzy Star’s Hope Sandoval a run for her money. This amazingly crafty collection of tunes provide that aura of catchiness you’d expect from a vocalist with a Pop sensibility, but ultimately wins you over with a soft Indie implementation with a crisp subtlety that will easily captivate any fan of the genre, respectively. Opening track and anchor single “Josefina” is direct evidence of this and it really kicks off the record with a signature style that touches on textures of ambience and atmosphere. The piano lead parallels diligently with Isabel’s hypnotically visceral vocal melodies, giving the listener a listening experience that is both effective and unforgettable upon first listen. It’s an anthemic song that truly sets the tone for the rest of the album and casts a bright spotlight onto Isabel’s ability to not only write an amazing melody, but express them thoroughly through lyrical content as well. Her poetic and story-telling ability really puts her on a level very few artists tend to reach, and it’s quite a joy to behold when you really pay attention to not only what she sings, but how she sings it.
Another notable track on this record is breakup song “High Horse”, a song about a past love with Isabel’s signature story-telling method that has been made apparent from the very first track. Once again we get a beautiful piano lead, this time in a minor key, a smooth rhythm section and a more high-ranged Isabel with this song’s anthemic chorus. Though she tackles common subject matter in this song, she again brings a simple concept to new heights with a poetic presence that really brings the overall story to form in a way that is intelligent and artistically visceral. It’s a rollercoaster of emotions sung with a sense of subtlety that almost makes it a lullaby, but no matter how you interpret it, Isabel just does it well. She completely makes the concept her own. One more notable track is closing song “Dot To Dot”, a song that combines the previous two songs into one intelligently crafted composition. This anthem really closes in on each element both Isabel and her band have brought to the table throughout the album’s duration in a way that ties it all together, perhaps also with a bow on top like a musical gift. We have Isabel at the peak of her vocal melody execution, delivering her blissful and breathy lyrical outbursts that are again enticing and thought provoking. Her band serves up their amazingly rhythmic measures, diligently paralleling her story-telling approach in a way that is effective and almost surreal. By the time you reach the end, you are almost disappointed it is now over. But the best part is, you can start it all over again, and that’s what makes this album stand out – its staying power. Its ability to stay with you even long after it’s over. Something not heard often among today’s more modern releases. And that’s another thing that makes this album a standout, the fact it could easily please music fans from just about any generation or era. Older fans will find it nostalgic, while newer fans will hear its innovation. But the truth is – it’s both.
This is an album you won’t forget anytime soon. You can get your copy now on Spotify, Apple Music, iTunes and any other digital music streaming platform.
Emerging from the Minneapolis music scene in Minnesota, Alt-Folk recording artist Craig Ball began hitting the ground running in the music world over 20 years ago when he began writing songs and playing local shows. Known for his distinctively catchy signature sound, Craig garnered an insatiable buzz and critical acclaim with his debut single “Kind Things” last year. This year in 2021, he has followed up that single with his debut EP ‘Content In Bed’, a 6-track record of anthemic folk tunes with the wittiness, charm and catchiness that makes Craig Ball the uniquely versatile artist that he is today.
This is an excellent debut EP that really shines a light on several crucial musicianship factors. Craig Ball displays a passionate craft on each song and really plays his heart out in a way where the listener can resonate with the messages he conveys through the power of his music. Opening title track “Content In Bed” and follow up track “I Can’t Quit” brilliantly open this record with anthemic goodness that showcases Craig’s gifted songwriting structures and story-telling lyrics. Both songs have smooth acoustic guitar progressions that parallel beautifully with Craig’s mid-range vocal melodies, delivering a uniquely crisp Alt-Folk flavor in his very own multifaceted style. He has a signature sound that is completely in his own realm, but also diligently balances originality and familiarity in a way that is fresh yet still identifiable. He performs with that classic Folk aura but still manages to implement a modern sensibility that can captivate a younger crowd as well.
Another highlight on this EP is the song “Good On You”. A more upbeat anthem that has a Bad Moon Rising vibe with additional flavors and textures reminiscent of other industry heavyweights like Ireland’s Flogging Molly. This upbeat number is one of the most catchy of the EP and will easily become a favorite from this record. “Everything looks good on you” will definitely stick in your head! One more crucial highlight on this EP is the atmospheric and ambient “All The Way To Mars”. A more innovative track on the record with beautiful piano flutters and a spacey keyboard lead that really sets a modern tone on this song. It’s another additional angle to Craig’s signature sound that showcases his talent in an effective way, just like the other songs on this record. Overall, ‘Content In Bed’ is an EP of classic folk songs that will inspire the ear, soothe the soul and entice you to dive deeper into Craig Ball’s career and subsequent releases. His brilliantly crafted sound has staying power that will satisfy any fan of the folk genre and will easily become one of your favorites in 2021. The EP is available now on Spotify, Apple Music, iTunes and several other digital music streaming platforms. You’ll be more than glad you gave this record a spin.