Exclusive Artist Interview: Ivy Blue

Emerging from Te Aroha in New Zealand, Ivy Blue is the official solo project of James Brodie, an ambitious musician with Autism, ADHD and Generalized Anxiety Disorder. Utilizing his passion for music as a creative outlet, James through his Ivy Blue moniker started singing about his life and his experiences with his mental health issues in 2014 on the advice of his counselor. His music is tailored to help inspire and educate others about mental health through his own experiences both on his recordings and live shows. By singing about his life and the challenges he faces, James has had the opportunity to play a vast array of shows in Europe and New Zealand, which has also led him to perform in 11 other countries subsequently.

After independently releasing a handful of singles and EPs over the years, James has partnered up with Swerrdmedia Music Group to release his full length debut studio album ‘Wasting Daylight’, comprised of 11 well-written anthemic tracks with a distinctive Alt-Rock sensibility. Featuring a charismatic vocal style and heartfelt story-telling lyrics, this ambitious record showcases many angles of James’ ability as both a songwriter and performer. His in-depth and dynamic signature sound shares an equal balance between originality and familiarity, implementing several crucial elements of yesterday’s nostalgic Rock sound and today’s more innovative and eclectic modern style. His anchor single from the record “Stanley Avenue” is an excellent example of this, diligently casting a spotlight onto James’ witty lyrical outbursts and clean rhythmic acoustic guitar progressions. This story-telling track not only has catchy and coherent melody choices, but a charming sensibility in James’ delivery of the song as well. You really get to know him in this track and it really gives the listener an opportunity to soak in the many different facets of James’ writing style. Another song off this album worth mentioning is “No Going Back”, a more melodically visceral track that’s a little more rhythmically paced. What’s great about this song is we get to hear a different side to James’ craft, all while maintaining a coherent consistency with the music’s overall delivery. This song is very flavorful, more emotional and really enhances the uniqueness within James’ musical aura. This is another well-written track that will entice you to listen to the rest of the album with your undivided attention.

The official release date for the album is October 11th and will be available on Spotify, Apple Music, iTunes and any other digital music streaming platform of your choice. It’s a very ambitious and intriguing debut for James Brodie and will undoubtedly entice both old fans and new to keep a close eye on what he has up his sleeves in the very near future and beyond. And since the release date is just around the corner, we got the opportunity to talk with James Brodie about the Ivy Blue project in an exclusive interview.


How long have you been active under your artist name?

I have been active as Ivy Blue since 2014 when I first started writing music for what would be my first indie release Rosewall (which, like my other independent projects has not been released onto streaming sites… yet…). The name came about because I wasn’t so sure about releasing those songs under my real name and the songs I had been writing from as early as 2013 when I was a session player in Future Te Aroha’s Monday Nights group (later becoming The Danny Broeglin Band, who I would regularly test songs with and get feedback) seemed like an extension of me but not something I wanted to label solely as mine. So my best friend Troy and I put names into the hat (as he would often help with my music) put random words into a hat and we’d ach draw one out- those two words becoming what we would work together as/my moniker. The two words that were pulled out were Ivy Blue, and the rest is history from there.

What music scene/city do you currently represent?

I live in Morrinsville (10 minutes from my hometown Te Aroha) and am part of the New Zealand music scene. My closest city is Hamilton, but I play where-ever I can get a gig.


The pandemic has really thrown a wrench into the live music experience and for artists altogether. How has it affected you and your career (if at all)?

This album was meant to be released in 2020 and I was due to be on tour in Europe/US soon after. Obviously, this has not been able to happen and what I have primarily been focusing on as a musician is doing studio work and writing for the second album with Ivy Blue (which all going to plan will come out sometime soon). I’ve only been able to play a couple of shows here in New Zealand but the plan is to get back on the road next year now that the world is opening up and things are starting to get under control in most of the countries I was meant to perform in.I also do other things outside of music so I’ve had time to focus on those and clear my decks so I can be ready for 2022. Of course, things can change so who knows what might happen? New Zealand’s been relatively unscathed (only 2 major nationwide lockdowns and small escalations) but the rest of the world’s not been so lucky so I can only hope it’s manageable soon so I can get out there, and of course my thoughts and prayers are with everyone who’s been impacted by COVID-19.

What are some of your music influences?

There’s a lot of things that come into it but my main influences right now are Elton John, Bruce Springsteen, and Robbie Williams. U2, Queen, REM, Arielle, and Ally Vennable are also on that list as are Selena Gomez, Taylor Swift, Shihad, and Ed Sheeran (among many others).

What kind of concepts do you tend to write about as an artist? Shine some light on that.

I don’t know if I have any specific concepts that I sings about. It’s something I’ve never really wrapped my head around and took the time to think about. Overall though, my music is like my journal. I just observe my life, what’s going on around me, the things that I’m learning, and put it to the songs that I create. There’s not much more to it than that but maybe this is something that I can give more thought to at a later point.

If you could put together a dream show or tour, what bands/artists would be on the bill?

I’d just do one big jam session with all of my favorite musicians if I’m honest. And it’d be a massive band. Bono and The Edge from U2, Elton John, Bruce Springsteen, The E Street Band, Michael Stipe, Ally Vennable, Robbie Williams, Queen, Arielle, and for good measure, my friends who I love playing with. Even with the biggest stars in the world, this kind of thing is best shared with friends.

When is your next release coming out?

Wasting Daylight (my debut full-length album) arrives onOctober 11th to digital stores and steaming sites. CD and Vinyl releases are also in the works, but due to the current outbreak in New Zealand have been postponed.

What’s in store for you in 2021/2022? Give us the goods.

Hopefully in 2022 I’ll be back out on the road playing the shows I was due to play in 2020, but we shall see what happens. I’m fully vaccinated and ready to go. Just waiting for the business end to be carried out, dates to be rescheduled, and all the logistics to be ironed out. I’ve also been working on a few songs to keep my fingers moving and bide my time until the tour can kick off so you might hear something from that. But plans can be easily upended in a pandemic so I’m going to wait a little longer to fully spill the beans. When the times come for me to talk about those plans, you’ll know!


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Exclusive Artist Review: Isabel & The Whispers – Self Titled Debut Album

NYC-born and bred artist Isabel Marcheselli (formerly known as Isabel Rivera) formed her band in 2005 under the official name Isabel & The Whispers and quickly began manifesting her love for music into a collection of anthemic songs that would become the band’s self titled debut album. Known for her insatiably dynamic craft in several artistic areas including vocals, songwriting and poetry, Isabel has musically crossed a vast array of genres and her eclectic scope of music continues to evolve and defy easy categorization. While she was classically trained, she can easily create music in mass-appealing genres such as Pop, Dance and Indie – utilizing her craft and artistic merit in ways that would ultimately garner the undivided attention of many listeners across the musical landscape.

And in 2008, after a few years of writing and solidifying their signature sound, Isabel & The Whispers would release their self titled debut album comprised of 8 atmospheric and intellectual tracks that would give Mazzy Star’s Hope Sandoval a run for her money. This amazingly crafty collection of tunes provide that aura of catchiness you’d expect from a vocalist with a Pop sensibility, but ultimately wins you over with a soft Indie implementation with a crisp subtlety that will easily captivate any fan of the genre, respectively. Opening track and anchor single “Josefina” is direct evidence of this and it really kicks off the record with a signature style that touches on textures of ambience and atmosphere. The piano lead parallels diligently with Isabel’s hypnotically visceral vocal melodies, giving the listener a listening experience that is both effective and unforgettable upon first listen. It’s an anthemic song that truly sets the tone for the rest of the album and casts a bright spotlight onto Isabel’s ability to not only write an amazing melody, but express them thoroughly through lyrical content as well. Her poetic and story-telling ability really puts her on a level very few artists tend to reach, and it’s quite a joy to behold when you really pay attention to not only what she sings, but how she sings it.

Another notable track on this record is breakup song “High Horse”, a song about a past love with Isabel’s signature story-telling method that has been made apparent from the very first track. Once again we get a beautiful piano lead, this time in a minor key, a smooth rhythm section and a more high-ranged Isabel with this song’s anthemic chorus. Though she tackles common subject matter in this song, she again brings a simple concept to new heights with a poetic presence that really brings the overall story to form in a way that is intelligent and artistically visceral. It’s a rollercoaster of emotions sung with a sense of subtlety that almost makes it a lullaby, but no matter how you interpret it, Isabel just does it well. She completely makes the concept her own. One more notable track is closing song “Dot To Dot”, a song that combines the previous two songs into one intelligently crafted composition. This anthem really closes in on each element both Isabel and her band have brought to the table throughout the album’s duration in a way that ties it all together, perhaps also with a bow on top like a musical gift. We have Isabel at the peak of her vocal melody execution, delivering her blissful and breathy lyrical outbursts that are again enticing and thought provoking. Her band serves up their amazingly rhythmic measures, diligently paralleling her story-telling approach in a way that is effective and almost surreal. By the time you reach the end, you are almost disappointed it is now over. But the best part is, you can start it all over again, and that’s what makes this album stand out – its staying power. Its ability to stay with you even long after it’s over. Something not heard often among today’s more modern releases. And that’s another thing that makes this album a standout, the fact it could easily please music fans from just about any generation or era. Older fans will find it nostalgic, while newer fans will hear its innovation. But the truth is – it’s both.

This is an album you won’t forget anytime soon. You can get your copy now on Spotify, Apple Music, iTunes and any other digital music streaming platform.


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Exclusive Artist Review: Cornelius Wright – “Bandit” Album

Rising Hollywood rapper Cornelius Wright began heating up the streets with his distinctive bars and hooks since his inception into the market in 2011. Originally hailing from Chattanooga in Tennessee, Wright’s gritty and innovative signature sound has garnered him an insatiable growing fan base and the independent artist over the years has proven to be a standout of his calibre with both his talent and work ethics collectively.

Now in 2021, the manifestation of Cornelius Wright’s craft comes full circle with the album release ‘Bandit’, comprised of nine hypnotic tracks that diligently showcase his own unique breed of Hip Hop with several crucial musicianship factors and cohesive elements as a songwriter. After the success of his first two singles earlier this year, Wright knew that he’d have to come out swinging with his follow-up release after already setting the bar high for himself. True to that notion, he did exactly that with ‘Bandit’, which is also a milestone for him considering it’s his debut album. There are many highlights on this record, and one of those highlights is opening track “Shine (feat. Maal the Pimp)”, an excellent banger that sets the tone for the rest of the album with Cornelius Wright’s aggressive and witty flow that gives him his distinctive stylization. This heavy-bass beat is very ambient and really gives Wright room to deliver an effective and dangerously catchy chorus alongside visceral verses that parallel each other brilliantly. This track opens the record powerfully and really serves up many crucial flavor throughout the song’s duration.

Now while this album has very innovative ideas and formulas, it also touches on originality and familiarity within the underground spectrum with the track “It’s Dark And Hell Is Hot”, boasting a flavorful 90s sensibility that showcased Wright on a whole different angle. And one thing he maintains in this track is his ability to be consistent while exploring other directions. His artistic merit is just as effective even when the formula changes, something not heard often in today’s market for Hip Hop. The beat on this track has an anthemic and subtle overtone that allows Wright to have plenty of breathing room to deliver his distinctive style of lyrical outbursts, giving us more of what we’ve come to know on this album while implementing new approaches as the cohesive measures play out.

One more notable track on this record is “Dusk Til Dawn (feat. Vanessa Krauss)”, a hauntingly ominous song with R&B components which diligently enhance the multi layered textures already present in the song. Vanessa Krauss vibes on this track with a hypnotic vocal melody in the chorus that really adds a multitude of flavor. Wright brings out a more low-toned vocal delivery that builds up to a climactic resolution, keeping the listener on the edge of their seat. Once again, this track is another example of the different effective angles that take place throughout the album, almost like chapters. But they are coherently structured and put together in a way similar to how puzzle pieces form the entirety of an overall picture. And that’s what we get with ‘Bandit’, many chapters and milestones with each song being the contributing factor to a collection that forms one big picture and payoff. And once it comes together, you look at in awe and come back to it time and time again to admire its presence and influence. This album will easily satisfy any Hip Hop fan whether it’s old school or new school – it has a bit of everything and never leaves a stone unturned. You can get your copy of ‘Bandit’ now on YouTube, Spotify, Apple Music, iTunes and all other digital music streaming platforms.


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