We’ve had The Harmalators duo on our platform before, and they have yet to do disappoint. Since that time, the elite Californi-natives have put together another plethora of colorfully eclectic songs with top notch production value and songwriting technique versatility – some which have landed them in award/charting positions. Comprised of eight amazingly blissful textures and structures that melodically soar throughout the musical landscape, the two brothers in The Harmalators have truly hit it out of the park with their 8-track collective, titled ‘Two Great Minds Think Alike‘, an exercise in innovation, thoroughness, blissfulness and so much more that’ll captivate your musical aura and ambience.
Opening track “Love On Fire” really emphasizes their vocal melody approach, all while keeping that indie feel at the forefront with several facets of different instruments playing their respective roles. Each vocalist really helps enhance the other and you can tell that their togetherness and solidification really puts the melody strength into the writing structure in its entirety. It’s a brilliant intro to the album that will easily entice you to listen to the duration of the record in its entirety.
“Where Would I Be Without You” is a much more simple listen but is undeniably a much more basic structure – and that is held to the highest regard. It’s a shorter song, one that is easily to take in as a classic, and could definitely be heard as an intro to one of those 90s sitcoms (a GOOD one, by the way). Another facet of this track is to find it impossible to get it out of your head. From its title track lyrics, addictive melody structure and just overall charming presence with its well-put-together.
Overall, ‘Two Great Minds Think Alike’ insatiably showcase both brothers’ strongest points in both production and performance value in ways that entice any listener to hear what they’ve put together over the years together and solo-wise as well. They’ve put out a small catalogue of their innovative gems in the past foür😝 its time, but this 8-track collection of highly-produces bliss will definitely turn some heads; especially when an album like this is in the band’s arsenal.
“Two Great Minds Think Alike” have also garnered them some award status. Including…
If this is the first time you’ve heard the first time you’ve heard The Harmalators, then it definitely won’t be the last!
NYC-born and bred artist Isabel Marcheselli (formerly known as Isabel Rivera) formed her band in 2005 under the official name Isabel & The Whispers and quickly began manifesting her love for music into a collection of anthemic songs that would become the band’s self titled debut album. Known for her insatiably dynamic craft in several artistic areas including vocals, songwriting and poetry, Isabel has musically crossed a vast array of genres and her eclectic scope of music continues to evolve and defy easy categorization. While she was classically trained, she can easily create music in mass-appealing genres such as Pop, Dance and Indie – utilizing her craft and artistic merit in ways that would ultimately garner the undivided attention of many listeners across the musical landscape.
And in 2008, after a few years of writing and solidifying their signature sound, Isabel & The Whispers would release their self titled debut album comprised of 8 atmospheric and intellectual tracks that would give Mazzy Star’s Hope Sandoval a run for her money. This amazingly crafty collection of tunes provide that aura of catchiness you’d expect from a vocalist with a Pop sensibility, but ultimately wins you over with a soft Indie implementation with a crisp subtlety that will easily captivate any fan of the genre, respectively. Opening track and anchor single “Josefina” is direct evidence of this and it really kicks off the record with a signature style that touches on textures of ambience and atmosphere. The piano lead parallels diligently with Isabel’s hypnotically visceral vocal melodies, giving the listener a listening experience that is both effective and unforgettable upon first listen. It’s an anthemic song that truly sets the tone for the rest of the album and casts a bright spotlight onto Isabel’s ability to not only write an amazing melody, but express them thoroughly through lyrical content as well. Her poetic and story-telling ability really puts her on a level very few artists tend to reach, and it’s quite a joy to behold when you really pay attention to not only what she sings, but how she sings it.
Another notable track on this record is breakup song “High Horse”, a song about a past love with Isabel’s signature story-telling method that has been made apparent from the very first track. Once again we get a beautiful piano lead, this time in a minor key, a smooth rhythm section and a more high-ranged Isabel with this song’s anthemic chorus. Though she tackles common subject matter in this song, she again brings a simple concept to new heights with a poetic presence that really brings the overall story to form in a way that is intelligent and artistically visceral. It’s a rollercoaster of emotions sung with a sense of subtlety that almost makes it a lullaby, but no matter how you interpret it, Isabel just does it well. She completely makes the concept her own. One more notable track is closing song “Dot To Dot”, a song that combines the previous two songs into one intelligently crafted composition. This anthem really closes in on each element both Isabel and her band have brought to the table throughout the album’s duration in a way that ties it all together, perhaps also with a bow on top like a musical gift. We have Isabel at the peak of her vocal melody execution, delivering her blissful and breathy lyrical outbursts that are again enticing and thought provoking. Her band serves up their amazingly rhythmic measures, diligently paralleling her story-telling approach in a way that is effective and almost surreal. By the time you reach the end, you are almost disappointed it is now over. But the best part is, you can start it all over again, and that’s what makes this album stand out – its staying power. Its ability to stay with you even long after it’s over. Something not heard often among today’s more modern releases. And that’s another thing that makes this album a standout, the fact it could easily please music fans from just about any generation or era. Older fans will find it nostalgic, while newer fans will hear its innovation. But the truth is – it’s both.
This is an album you won’t forget anytime soon. You can get your copy now on Spotify, Apple Music, iTunes and any other digital music streaming platform.
We’ve reviewed and featured West Of House before and these guys do not disappoint. With 2021 in full force nearing the end of summer, the alt-rockers have put out a subsequent album release that surprised just about everyone that knows them, and intrigued a plethora of new listeners as well. And that release is their newest album ‘Drown The Wind’, which is easily their best effort to date that really brings their signature sound right to the forefront.
Comprised of 11 anthemic and atmospheric songs, ‘Drown The Wind’ is an alt-rock album that encompasses the band’s artistic merit while combining crucial elements from 90s industry heavyweights like REM, Coldplay and Oasis. Anchor single “Entwined” is an excellent example of this and really delivers the production and performance parallels that set the tone for the rest of the album. The song begins with some dynamically executed time signatures, showcasing the band’s driving rhythm section and dueling guitars that bring out the brilliance of the well-written vocal melodies. It’s a very multi layered mix that shines a light on each band member where you can easily hear each of their individual contributions into one precise unit. Another anchor track on this record is “Fall Down”, featuring a glistening mandolin intro that is anthemic, melodic and insatiably versatile. This melody-driven track really showcases the high-range vocals that once again really encapsulate into melody choices that are very next-level. The song is hauntingly ominous, ambient and really adds a layer of magic to the album that puts the band at the top of their game. This is a song that sustains a standout all on its own and will easily be one that people will be talking about.
One more track that needs mentioning is “Where To Begin”, another atmospheric tune with visceral synth parts that implement alongside the chord progressions and add a layer of detail that is crucial and effective. This one is a little more rhythmic and has climactic measures that really serve up a wholesomeness not heard often with independent artists. This track also embraces melodic structures like the previous song, but also diligently blends more atmospheric guitar swells and smooth bass lines. This will easily be a favorite on the album right alongside the sensibility we heard with “Fall Down”. Overall, West Of House have really set the bar higher for themselves and continue to manifest magically with every release. You can hear the evolution of their own signature sound but still get a dose of nostalgia from great callbacks to the 90s alt-rock sound that we’ve come to know and love over many years. ‘Drown The Wind’ from start to finish is brilliantly crafted, melodically visceral and really explores the depths of combining originality and familiarity. You can get your copy of the album now on Spotify, Apple Music, iTunes and several other digital music streaming platforms.