Exclusive Artist Review: Zizzo World – “Beautiful (feat. Nes Mburu)” Single

London-based rising Artist Zizzo World has been grinding away for several years in the music world now and has manifested into a versatile and multifaceted artist with his own signature sound and stylization. After an array of several successful releases, he has built up an insatiable fan base and continues to garner a strong presence as new fans discover his music. He has become widely known for his very distinctive ambient EDM style, and with the newest upcoming single “Beautiful (feat. Nes Mburu)” coming to fruition, Zizzo World’s career comes right to the forefront and easily stands as his best release thus far; pulling out all the stops from production value, musicianship factors and artistic merit.

Zizzo World serves up an atmospheric and hypnotically rhythmic beat that combines crucial elements of World and Roots; delivering a sound that diligently balances originality and familiarity – something that is brilliantly materialized on this track with Kenyan feature artist Nes Mburu. “Beautiful” gives every listener a taste of something fresh yet still identifiable, bringing a vintage approach merged with today’s more modern sensibility. Zizzo’s visceral vocal melodies are anthemic, coherently structured and really showcases his ability as a songwriter and performer. His vocal delivery is cohesively punctual and his attention to detail will easily grab your undivided attention from start to finish. Feature artist Nes Mburu really adds a multi layered presence on this track with his impressively high range and charismatic delivery. His vocal measures parallel brilliantly with Zizzo’s and the structure between both vocal tracks mesh in a way that is not only effective, but musically atmospheric as well. Both vocalists enhance the visceral listening experience on this song and both artists are completely a standout of their calibre.

“Beautiful” is a single with absolute staying power – where it stays with you even long after it’s over. It presents Zizzo World at the top of his game and any first time listeners of his music will be highly enticed to do a deeper dive into his career and discography altogether. “Beautiful” officially releases on August 20th and will be available on Spotify, Apple Music, iTunes and several other digital music streaming platforms. You can pre-save the song at this link: https://ffm.to/btfsong


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Exclusive Artist Review: Dizmation – “Aves Nocturna: 1, 2 & 3” EP

Emerging from the musical landscapes of Dublin, Artist/Producer Dizmation continues to flourish throughout the Indie market with his distinctive and innovative signature sound. Known for his diligently detailed production techniques and multifaceted song structures, Dizmation throughout his career has put together several releases that showcase multiple angles of his skill sets which highlight his insatiably crafty production as well as performance value, and how strongly projecting how effectively they parallel each other. Now in 2021, with the recent release of his newest EP ‘Aves Nocturna: 1, 2 & 3’, Dizmation continues to raise the bar to reach new heights with his highly innovative structures and multi layered measures; proving that this is easily his best effort yet.

Structured into three interconnected chapters (1, 2 and 3), the ‘Aves Nocturna’ trilogy peels back many versatile layers as each track’s duration plays out. Part one, titled “To Owls”, starts out very rhythmic, atmospheric and effectively showcases well-executed melodies that have strong staying power. The first half of the 5+ minute runtime brings the listener on a hypnotically visceral journey into futuristic soundscapes and climactic buildups. The synth leads are very anthemic and really carry the torch throughout the song’s detailed structure, all while paralleling a rhythmic and progressive tempo with several percussive textures. The second half of this track brings every layer to the forefront along with an accompaniment of mid-to-high range vocal melodies, making their highly regarded first appearance on the record. These vocal parts are not only brilliantly written, but the composition itself at this stage of the song brings a sense of subtlety that really highlights Dismation’s songwriting ability. Overall, Part One really sets the tone for the rest of the EP and strongly grabs your undivided attention.

Part Two of the ‘Aves Nocturna’ trilogy, titled “To A Distant Star”, blends an atmospheric piano progression with a synth/string lead alongside textures of acoustic guitars, percussion additives and a smooth, punchy baseline that ties the structure together. This song’s aura is very dreamlike in the first half, then eventually cruises into an energetically uptempo climax that is also accompanied by high range vocal melodies. This song showcases a brilliant demonstration of continuity and continues to highlight several angles of Dizmation’s performance and production value.

Part three, titled “We Live Here”, operates a little more like a progressively Indie ballad, but with a more anthemic approach. The half-time tempo in the verses blend diligently with the uptempo chorus and really shines light on the melody-driven chord progressions as well as dynamically layered rhythm section. This track in particular brings the entirety of Dizmation’s signature sound to the forefront full circle, tying together the trilogy in a way that is effective and impressionable for anyone listening to his music perhaps for the first time. All three songs on this trilogy play equally vital roles and strongly demonstrate the multifaceted angles of talent that went into them. It’s a record that truly showcases Dizmation’s musical vision and keeps the listener strongly engaged and invested from beginning to end. The EP is available exclusively on BandCamp and will easily become one of your favorites of 2021.


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Exclusive Artist Review: Equal Frequencies – “Karma” Album/LP

Hailing from Huddersfield in the landscapes of the UK, husband and wife duo Equal Frequencies have been hitting the ground running in the music realm for over 20 years and have collaborated on countless bands and projects. With the success and critical acclaim of their previous two albums, their third effort ‘Karma’ is easily their best yet and really showcases the duo’s musicianship factors and versatile artistic merit.

Known for their controversial lyrics, progressive Indie/Jazz signature sound and atmospheric song structures, Equal Frequencies have put together a record that is multifaceted, multi layered and hypnotically ambient with their tasteful blend of electronically infused Pop, Indie, World Fusion and Hip Hop elements. Comprised of eleven powerful and wholesome tracks, this soundtrack-worthy effort has a plethora of soundscapes that truly stand out among today’s contemporary artists from a similar calibre. Opening title track “Karma” is very rhythmic and really sets the tone for the rest of the album’s duration in a way that is cohesive and effective. You can immediately hear the melodic coherence emanating from each lead instrument while the climactic buildup throughout the measures are cleverly executed and finely tuned. It’s a solid strong first impression that will garner your undivided attention. Follow-up song “Is This How You Want It To Be” captures the same ambience and atmosphere but introduces the melody-driven vocals and crafty lyrics with a more progressive guitar progression. This track really showcases the duo’s production value very effectively and really brings the songwriting factors to the forefront. The vocals are intelligent, intellectual and thought provoking, giving the listener a more visceral listening experience and message that perfectly parallels the melodic measures throughout the song’s duration.

Another notable track on this record is “Dystopia”, another rhythmically progressive song that showcases strong vocal melodies and guitar leads. The more driven tempo really carries the rhythm section on every measure and enhances all the melodic leads in all the right places. The pacing is more carefully written and you can hear the attentiveness to detail is made very apparent. And lastly, closing track “Land Of My Dreams” is very anthemic and brilliantly blends cohesive elements of progressive Hip Hop and Indie Jazz with a Pop sensibility. The piano landscape is beautifully written and really sustains the atmospheric aura that this album passionately displays. The dynamic Hip Hop tempo blends with the melodic layers and this song in particular really showcases Equal Frequencies from several angles. It balances originality and familiarity quite strongly and doesn’t outdo itself in any way. It goes out on a high note and closes out the album with a signature touch that’ll have you doing a deep dive into the Equal Frequencies discography.

‘Karma’ is well ahead of its time and really grabs your attention both musically and lyrically. Both musicians contribute almost intimidatingly strong musicianship factors and the overall production value is something far above the industry standard for an indie release. It’s an intelligent record that’ll make it quite difficult to pick a favorite song from. The album released on June 26th and is currently available on Spotify, Apple Music, iTunes and several other digital music streaming platforms. We can’t recommend this one highly enough.


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•Twitter: https://WWW.TWITTER.COM/EQUALFREQS
•Album Link: https://www.junodownload.com/products/equal-frequencies-karma/5158348-02/

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Exclusive Artist Review: Juan Manuel Ruiz – “Cutouts” Album

Hailing from the landscapes of Spain, recording artist and composer Juan Manuel Ruiz began his journey into the market when he released his debut album ‘Will’ in 2018. Since that time, Ruiz has manifested into a multifaceted and versatile artist with distinctively glistening compositions and melodies, creating a signature sound that is dynamic, emotional and progressively innovative. Ruiz throughout 2019 and 2020 would continue to write, compose and put together another album of songs that would enhance his stylization and showcase his compositions in a way that is genuine and effective; subsequently raising the bar since his debut. Now, in 2021, he has brought these songs to fruition with his newest sophomore release ‘Cutouts’, comprised of 10 visceral tracks that are crafty, creative and completely self-written and produced.

One thing you’ll immediately notice on this album is Ruiz’s composition style and ability to construct a strong melody. He takes a distinctive chord progression and diligently enhances its foundation into a glowing instrumental that really gives you a visceral listening experience. Opening title track “Cutouts” is a direct example of this and really showcases the anthemic aura that encompasses just about every song on the album. With the production value adding textures of chorus and reverb to give the song a more subtle tone, this track dynamically emanates passion, emotion and moods combined with rhythmic touches. It’s one of the unforgettable songs on this record and really casts a crucial spotlight on Ruiz’s musicianship factors. Another notable song with a similar approach is “In My Dreams”, which easily compliments the opening track in a very effective way, delving deeper into Ruiz’s overall signature sound. This song especially has an emotion-driven melody that brings out many angles of his talent, and really captures a melodic atmosphere that is heard throughout this album’s duration. These first two tracks start the album out very strong and really set the tone for what’s to come in the subsequent songs.

Another track that really grabs at your attention is “Fata Morgana”. Definitely one of the more upbeat tracks on the record, this song has a haunting melody that is ominous and mysterious. It’s a multi layered song with colorful interludes and transitions, giving it a more story-telling feel similar to a film score or soundtrack. This track especially explores many facets of Ruiz’s songwriting structures and really casts a spotlight onto the production value and artistic merit that is made apparent throughout the album. It’s a diligently crafted piece that is highly versatile and effectively showcases Ruiz’s skills both as a musician and producer. Overall, ‘Cutouts’ is a triumphant effort that will capture many musical hearts and fans of rising composers. It’s a glistening follow-up to his debut record that continues to set the bar higher as each fan discovers him. You can get your copy of the album on Spotify, Apple Music, iTunes and several other digital music streaming platforms. You’ll be more than glad we recommended it.


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Exclusive Artist Review: Elektragaaz – “The Synaesthetic Picture Show Now Playing Part 1” EP

Very few artists have achieved the technical uniqueness of Elektragaaz. Comprised of Netherlands-based electronic composer/songwriter Poppo Redband (or just Redband for short) and a slew of guests/contributors, Elektragaaz‘s dynamic and versatile signature sound began laying down its foundation in 2017 and began hitting the ground running since its inception. Even though there is a big level of mystery surrounding primary project leader Redband, Elektragaaz‘s atmospheric textures are laid down diligently in epic proportions on their debut EP “The Synaesthetic Picture Show Now Playing Part 1”.

This six-track juggernaut is likely unlike anything you’ve ever heard when it comes to style and composure. Blasting into an upbeat tempo with opening track “Cabin Fever”, this record immediately launches into an atmospheric assault that balances style and execution. The attentiveness to detail is very apparent from the start and continues through the track’s duration with a vast array of instrumental choices and melodic measures. This opener is highly effective and really delves deeply into the musicianship factors that Elektragaaz shows no shortage of. Another highlight of this album is the song “She Walks It Like She Talks It” which also incorporates dynamic tempos but brings the levels of uniqueness in a slightly different effective direction. But one song that has an anthemic quality is closing track “Dancin’ With The Queen of Hearts” which stylistically is more ballad-like but maintains a type of intricacy that focuses more on the distinction of energy as opposed to the more in-your-face technical touches this EP has plenty of. This track is definitely a standout of its calibre and further encapsulates the distinct uniqueness that is heard throughout the runtime of this EP and really showcases the artistic merit of this project in several angles.

This EP is also a record that has staying power – the power to stay with you even long after it’s over, and will undoubtedly entice you to dive deeper into the Elektragaaz discography and career altogether. This EP is available now on iTunes, Apple Music, Spotify and several other digital music streaming platforms. This is a record you need to hear to believe.


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