Exclusive Review: Pia Salvia – “Dark Longing” Single

Review by: Justyn W. Brodsky

Cover Art of Pia Salvia’s Single “Dark Longing”

Dynamic, atmospheric and versatile might be a few ways to describe the many facets of Pia Salvia‘s musical talent. But in the grand scheme, her stylization and signature sound has endless musicianship factors. And her fresh, hypnotic new single “Dark Longing” is a perfect demonstration of how effective her craft is when it’s brought out to the forefront. Salvia, raised in Belgium and now living in New York, began hitting the ground running in the music realm at the age of six; eventually becoming classically trained for the next 10 years. And some time later would also discover her love and passion for the harp and vocals. Since mastering her craft, Salvia has been composing, arranging and performing her own original material in a vast array of settings and styles of music. She even landed in the top 20 on the world renowned show The Voice (France) in 2012.

Now, with the release of her anthemic single “Dark Longing,” the track has been acquiring some major critical acclaim and recognition among the music world. This single, which is also featured on her album ‘Blissful Sigh,’ which released today, is an atmospheric and ambient song with beautiful harp swells and progressions, classical layers of Pop, Blues and Jazz, and shares reminiscent qualities similar to the likings of Regina Spektor, Dianna Krall and Nora Jones. Her vocal approach is unwaveringly effective and encapsulates an array of styles from spoken word and Hip Hop elements to mid-to-high range melodies that truly make her a standout with all things combined. Her poetic lyrics are also beautifully projected with a story telling method that can easily resonate with any listener. The production value is right where it needs to be and never outdoes itself with post production antics. It’s a song that is authentic, raw and performed with strong precision and method. Salvia‘s lyrics on this track are thought-provoking, poetic and really showcase a crucial angle to her principal songwriting structures.

Cover Art of Pia Salvia’s album “Blissful Sigh” – Out Today July 10th

Her album ‘Blissful Sigh’ just hit the market today and is currently available on Apple Music, Spotify and several other digital music streaming platforms. This is definitely one of the most notable artists so far in 2020 and we highly recommend checking out her single and the full album as well.


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Exclusive Review: Andrew Farstar – “Classics” Album/LP

Review by: Justyn W. Brodsky

Cover Art for Andrew Farstar’s “Classics” LP

This album of classics, just like the album name ‘Classics’ suggests, is a nostalgic treat from the way-back-when machine that features a vast array of songs from renowned artists that we’ve come to know and love over many years. With the voice of Sydney-based artist Andrew Farstar at the helm of this record, tackling these beloved anthems with a modern and youthful approach that gives us a whole new perspective on these high profile covers, ‘Classics’ is not just a run-of-the-mill tribute or half hearted renditions, it’s a visceral reimagination.

Featuring chart-topping hit songs on the record that includes classics like “Your Song” (Elton John), “I Don’t Wanna Lose Your Love” (Crystal Gayle), “Sealed With a Kiss” (Brian Hyland), and many more, Andrew Farstar breathes new life into these songs with a modern millennial signature sound that brings out a whole new world to songs that have been loved for decades by a widespread of fans from many different generations. His versatile and multifaceted mid-to-high range vocals are precise and punctual as they are charming as well. He also brings these tracks out in a way that could resonate with younger generations, who will find an entirely new perspective and appreciation for songs older generations may or may not know…but most likely definitely do.

The musicianship factors and production value parallels perfectly with both performance and structure. A lot of the tracks have a distinctive sound that could be reminiscent of artist pioneers like Tony Bennet, Frank Sinatra, Michael Bublé, James Arthur, Harry Connick Jr., and those of a similar caliber. But, when it comes to the overall execution, Andrew finds a way to truly make these songs his own reimagining in a way that gets us to appreciate these classic tunes in a whole new spectrum. Basically, if the renowned artists that wrote these songs took a listen to Andrew‘s versions, they’d be definitely mind blown at the brilliant balance between the insatiable feeling of originality and familiarity he brings to these songs. It’s an album of nostalgia, skilled musicianship, and a demonstration of making something completely your own when it comes to artistic merit.

You’ll love every rendition of these songs that Andrew has put together and will remind you that these songs still can have a major relevance in your life. You’ll love ‘Classics’ from beginning to end, unconditionally. You’ll be glad we recommended this to you. You’re welcome.


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Artist Review: Chuck W – “Get Your Shit Together!” LP

Review by: Justyn W. Brodsky

With an exercise in innovation, experimentation and musical stimulation, Long Island’s Chuck W brings forth 4 years of in-depth puzzle pieces in every track of the frenetic, lo-fi synth-travel signature sound of his Get Your Shit Together! LP. An album that not only grabs you with persistent musicality, but imagery as well.

This instrumental album is comprised with a vast array of musical elements that range from clever looping samples, atmospheric textures, groovy tempos and jazz-infused outbursts that top off with a theatrical and at-times industrial edge. The track “Monoarm” is a grungy and multifaceted set of layers that sends us on an audio and visual journey. The ambient mood that underlies in this frantic track really demonstrates Chuck‘s dynamic behind the mixing board, as well as his songwriting structure that touches on many tangible elements that gives this song the push that it needs to enter your brainwaves. It’ll stick with you in a way you can’t really explain, but it’ll easily have you enticed to explore the rest of this album with your antennas for detail up. The rhythmic groove on this song is not only notable, but downright necessary. There are no blanks to fill on this track – Chuck covers all bases on “Monoarm” and really delves into detail that gives him undeniable versatility.

Veering over to the soundtrack-worthy “Jazz For A Rainy Day”, this creepy track lends an arm to a more theatrical take on Chuck‘s signature touch. This one gives you visuals and it really dives deep into the clever songwriting structures that is made apparent throughout the album. This keyboard-driven track really adds a fascinating parallel to the other songs on the album and really adds more concept to this multilayered musical journey.

Get Your Shit Together! is a nostalgic landscape of audio imagery that is immediately gratifying to the experimental sides of our brains. It has a wit and charm that speaks solely through instruments, structure and textures. Once you give this a listen, you won’t quite be the same again. But you’ll keep coming back to this album to go through each measure of detail, trying to capture every puzzle piece of the in-depth structure that Chuck W conjures throughout this album’s duration. You can’t go wrong with this album – there’s nothing else like it.

Connect with Chuck W:

Listen to “Monoarm”:

Listen to “Jazz For A Rainy Day”:

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Artist Review: Ples Jones – “Sounds Of The Mind” LP

Review by: Justyn W. Brodsky & Bethany Stephenson

Today’s era of Electronic Music and Hip Hop can be very convoluted with all the sub genres that conjure from today’s contemporary run-of-the-mill artists. It’s a big industry with a persistent rise of up-and-comers from platforms like SoundCloud, DatPiff and those alike. While those platforms remain true to form, it’s hard to stand out from this massive crowd. But every now and then you run into one of those rare gems that truly is a standout of their caliber. And a shining example of this gem is Pittsburgh-based Electronic DJ and Producer Ples Jones with his latest LP “Sounds Of The Mind”.

As the title suggests and perhaps putting one of the freshest takes on today’s Electronic Music standard, Jones comes out swinging on every track of this album and brilliantly showcases his versatile craft by setting a nostalgic tone to his signature Chillhop sound. Specializing in R&B and House music, Jones conjures a refreshing vibe to the table that dynamically puts his skillset to the forefront with exceptional precision and authenticity. He’s been honing his craft behind the mixing board for 15 years, touching on his love for Jazz and Soulful R&B additives to a very addictive Hip Hop sound that is reminiscent with yesterday and today’s more elite producers.

“Sounds Of The Mind” really sets the perfect nostalgic tone in consistency and never waivers from the nostalgic flow Jones brings to each track with his clever production techniques and versatile compositions. With tracks like “Alonzo’s Groove”, “Apologia” and “Bleu Light” to kick this record off, you immediately get a grasp on Jones‘ ability to create tracks that touch on several genre elements that blend very tastefully. The beats and rhythm sections that carry each song drives every electronic-infused melody perfectly and really delves into a craft that touches on equal parts originality and familiarity. Carrying over to “Cherish”, this track serves up a classic R&B style that really puts soul into the record. It is refreshing goodness with that perfect beat that reminds us how R&B was meant to be. The standout on this album, however, is feature-artist track “Drop”. A Hip Hop track with EDM touches that features brilliant lyrical hooks and bars from feature artist Phantom. This sweet concoction delivers an array of genre blending, vibrancy, consistency and everything in between to make this song completely unforgettable and a home run on the album.

“EmpPHATic” is a synth-driven tune that continues to drive the R&B element forward and really helps carry weight on this record with its vibrant setting and ambient flavor. “Late Nite Snack” brings us more of that nostalgic feeling this album has demonstrated from the beginning while “Married To The 90s” and “Shine” are more upbeat and animated in their execution. These four tracks in particular really give us a deep dive into the diversity of Ples Jones‘ production value and garners a dynamic quality that is rare among today’s DJs and EDM creators. The next feature-artist standout track “Quien Tiene Boca (feat. Alba Santos)” is a tasty R&B flavor with an amazing Spanish vocal delivery and soulfully crafted melody. The vocal mix on this song in particular is more than notable as it is beautifully performed. This one will get your heart fluttering. “Rise” is another female-featured track with a sound reminiscent to Sia with its own special touch. Featuring female singer Liz Cirelli, this dreamlike sequence brings new heights to the album with a sense of climax and anticipation as the track plays out. It’s brilliantly mixed, perfectly executed and adds more layers to this record while remaining consistent in the overall signature sound.

The bass and beat-driven “Santorini” is edgy and industrial with a darker tone in its delivery and fits like a glove with the predecessors on the record. “Shine (feat. Late Nite Vegas)” is the perfect subsequence that also captivates a darker tone with an upbeat flow and clever production narrative, while closing track “The Realization” brings us a synth-infused light at the end of the tunnel as a perfect album closer. Altogether, creating an innovative and creatively effective album where all the pieces fit no matter how many times you hear it.

The best thing about “Sounds Of The Mind” is the execution of each song with top of the line production value. Every track flows perfectly to the next while keeping consistency afoot with nostalgic vibes and tasteful genre blends. This album is not just recommended, it’s an absolute must-listen in its own right and demonstrates a very versatile skillset that Ples Jones showcases from beginning to end. This album has staying power with an ability to keep you coming back for more. You’ll be more than happy you gave this album a spin, and this record will definitely entice you to look deeper into Ples Jones‘ artist journey.

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Artist Review: The Jive Aces – “Diggin’ The Roots Volume 1 & 2” LPs

Review by: Justyn Brodsky

Don’t just go back to your roots – dig them!

We’ve heard a lot of today’s takes on classic songs from many new age contemporary artists, as well as tribute bands and cover artists putting their own spin on yesterday’s hits from many calibers of genres with a fresh additive or two. Some do it well, some fall flat, and then there’s the few and far between gem that comes out swinging with the charms of both yesterday’s and today’s most influential eras wrapped up into one super tight package. That, my friends, is The Jive Aces.

This UK-based band are definitely not a bunch of randies by any means. Renowned worldwide for their high-energy spectacular showmanship, this elite group has garnered an enormous following from a combination of acclaims including their viral video for the track “Bring Me Sunshine” and for also being the first live band to reach the final rounds of “Britain’s Got Talent”. Since then, The Jive Aces have firmly established themselves as the UK’s No.1 Jive & Swing band, and show no indication of slowing down their momentum anytime soon.

So with a résumé like that, you know there has to be something of theirs worth putting on your playlist. And their 2-Volume LPs Diggin’ The Roots are shining examples of their tightly knit signature sound of songs we’ve all come to know and love over many, many years. Boasting into today’s production value while maintaining that old school influential charm, we get a more than solid performance on both records comprised of eclectically professional musicians that absolutely own their roles on every track to deliver a sound that not only resonates with the classic each song became long ago, but with a whole new realm of energy and technique that gets us to appreciate them all over again in a whole new way, in a whole new era.

Diggin’ The Roots is exactly as advertised. They are tracks that have brought on endless inspiration and appreciation among a majority of today’s prominent artists and are the roots to their stories. On The Jive Aces Volume 1 record, RockinRhythm & Blues, we get a tastefully blended album of 13 tracks with many flavorful additives. Classic tunes on Volume 1 include smash hits “Jump, Jive & Wail”, “Feelin’ Happy”, “I Want You To Be My Baby”, and many others of the same caliber. Led by lead vocalist Ian Clarkson, who also takes up roles on trumpet and ukulele, his clean and vibrant voice in the forefront of every song really solidifies the band’s approach. The right rhythm section really paves the way for the rest of the band, and really puts the proper backing behind Clarkson’s effective vocal takes and melody placements. With hot piano leads, an anthemic brass section and funky fiddles added to the mix, this fresh look at some of our favorite Rockin’ Rhythm & Blues tracks will definitely get you up off of your feet and own the dance floor.

On their Volume 2 record, Hot Jazz, we get the same Jive Aces vibe with their tight grasp on 13 more classic tunes that combine equal parts originality and familiarity, just like Volume 1. Staying true to form like the previous chapter of this 2-part release, we get an instrumentally versatile execution of fan favorites from the classic Jazz era that includes “Jeepers Creepers”, “On The Sunny Side Of The Street” and “It’s Been A Long, Long Time“. Both of these records absolutely compliment each other and bring a brand new timeless edge to every perfected measure. The showmanship factors are undeniable and one thing that screams from these releases are the words “INCREDIBLE LIVE SHOW”. Diggin’ The Roots really brings out each member’s musicianship abilities and when put together, collectively bring out a stick dynamite just ready to go off at every event they play. And their devoted fan base and successful career milestones reflect that. But one of the most notable things about The Jive Aces is their authenticity – there is no wacky autotune, no oversaturated production techniques, and absolutely no cheat methods whatsoever being used. This band can produce live exactly what they do in the studio, which is a rare thing in today’s digital age of music.

The Jive Aces are the breath of fresh air you’ve been needing for a long time. They are a standout of their caliber, and once you take a listen to both volumes of Diggin’ The Roots, you’ll see and hear exactly why they are the UK’s number 1 Jive & Swing band.

Connect with The Jive Aces:

•Link to Volume 1: http://jiveaces.com/album/518834/diggin-the-roots-vol-1-rockin-rhythm-blues

•Link to Volume 2: http://jiveaces.com/album/518835/diggin-the-roots-vol-2-hot-jazz

•Official Website: http://www.jiveaces.com

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